Out There, the new instrumental LP by Pongo Face, delivers ten genre-bending tracks that ride the line between lo-fi funk and interstellar cinema. With a filmmaker’s sense of pacing and a beatmaker’s instinct for groove, Pongo Face sculpts sonic vignettes that are both hypnotic and deeply human. This is headphone music for the curious — layered, mysterious, and just a little weird in all the right ways.
Bridges is a compact instrumental album that moves through a range of moods—contemplative, chaotic, gritty, and hopeful—while staying grounded in a rich, guitar-forward sound. With nods to post-rock, lo-fi, and ambient composition, each track offers a distinct moment, yet all feel connected through consistent tone and intent. The album feels both urban and internal—a soundtrack for late-night reflection, creative flow, or solo city walks.
The Music by Pongo Face is a loud, fearless, genre-hopping ride through experimental rock and fuzz-drenched storytelling. It marries psych, garage, funk, punk, and cinematic surf elements into a raw, cohesive whole — full of bite and low-end rumble. If Bridges was inward-looking and meditative, this record explodes outward. It’s a soundtrack for rebellion, escape, and transformation.
Days Outstanding is a sparse, cinematic, and emotionally precise instrumental album from Pongo Face. With quiet restraint and understated beauty, these compositions evoke reflection, resolve, and the quiet power of small moments. Unlike the punchier energy of previous albums, this collection leans into minimalism and space — allowing each note, texture, and swell to breathe. Ideal for use in narrative film, slow-building trailers, or moments of real emotional depth, Days Outstanding stands out by doing less, more meaningfully.
